Wes Anderson’s ambivalent film style: the relation between<i>mise</i>-<i>en</i>-<i>scène</i>and emotion
Crossref DOI link: https://doi.org/10.1080/17400309.2016.1172858
Published Online: 2016-04-21
Published Print: 2016-10-01
Update policy: https://doi.org/10.1080/tandf_crossmark_01
Lee, Sunhee
Peer Review Statement: The publishing and review policy for this title is described in its Aims & Scope.
Aim & Scope: http://www.tandfonline.com/action/journalInformation?show=aimsScope&journalCode=rfts20
Publication History
Published: 2016-04-21