Christian Petzold’s melodramas: from unknown woman to reciprocal unknownness in<i>Phoenix</i>,<i>Wolfsburg</i>, and<i>Barbara</i>
Crossref DOI link: https://doi.org/10.1080/17411548.2016.1222739
Published Online: 2016-10-07
Published Print: 2016-09
Update policy: https://doi.org/10.1080/tandf_crossmark_01
Staat, Wim
Version of Record valid from 2016-09-01
Peer Review Statement: The publishing and review policy for this title is described in its Aims & Scope.
Aim & Scope: http://www.tandfonline.com/action/journalInformation?show=aimsScope&journalCode=rseu20
