DRAMATIZING SARTREAN BAD FAITH AND HEIDEGGERIAN AUTHENTICITY: AN ANALYSIS OF CONTRASTING POSITIONS IN RELATION TO THESE IDEAS IN THREE FILM NARRATIVES—SHADOWS AND FOG, MIDNIGHT IN PARIS AND MAGIC IN THE MOONLIGHT
Crossref DOI link: https://doi.org/10.29121/shodhkosh.v3.i1.2022.73
Published Online: 2022-02-24
Update policy: https://doi.org/10.29121/shodhkosh-crossmark-policy
Dohtdong, Andreas Treki