I Ain’t Sorry: Beyoncé, Serena, and Hegemonic Hierarchies in<i>Lemonade</i>
Crossref DOI link: https://doi.org/10.1080/03007766.2019.1555897
Published Online: 2018-12-24
Published Print: 2019-01
Update policy: https://doi.org/10.1080/tandf_crossmark_01
Olutola, Sarah
Peer Review Statement: The publishing and review policy for this title is described in its Aims & Scope.
Aim & Scope: http://www.tandfonline.com/action/journalInformation?show=aimsScope&journalCode=rpms20
Publication History
Published: 2018-12-24
