Film and Fine Art: Automatism, Automata and “The Myth of Total Cinema” in The Red Shoes and The Tales of Hoffmann
Crossref DOI link: https://doi.org/10.1007/978-3-030-19601-1_33
Published Online: 2019-10-31
Published Print: 2019
Update policy: https://doi.org/10.1007/springer_crossmark_policy
Boyce, Kristin
Text and Data Mining valid from 2019-01-01
Version of Record valid from 2019-01-01
Chapter History
First Online: 31 October 2019