Disrupting Historical Mis-representations and Constructions: Talawa Theatre, Tiata Fahodzi, and Representations of Polyphonic Africa on the Contemporary London Stage
Crossref DOI link: https://doi.org/10.1007/978-3-319-94508-8_8
Published Online: 2018-12-07
Published Print: 2018
Update policy: https://doi.org/10.1007/springer_crossmark_policy
Ukaegbu, Victor
Text and Data Mining valid from 2018-01-01