A Japanese Blake: Embodied Visions in William Blake’s The Marriage of Heaven and Hell (1790) and Tezuka Osamu’s Phoenix (1967–88)
Crossref DOI link: https://doi.org/10.1007/978-981-13-3001-8_14
Published Online: 2019-02-16
Published Print: 2019
Update policy: https://doi.org/10.1007/springer_crossmark_policy
Atkinson, Rosalind
Text and Data Mining valid from 2019-01-01
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First Online: 16 February 2019