Foley and Fabulation: The Production of Screams, Sound, and Subjectivity in Peter Strickland’s Berberian Sound Studio
Crossref DOI link: https://doi.org/10.1007/978-981-19-0691-6_10
Published Online: 2022-11-04
Published Print: 2022
Update policy: https://doi.org/10.1007/springer_crossmark_policy
Jeyasingh, Tara Elisabeth
Funding for this research was provided by:
University of New South Wales Canberra
Swansea University
RMIT University
Text and Data Mining valid from 2022-01-01
Version of Record valid from 2022-01-01
Chapter History
First Online: 4 November 2022