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The Anthropocene in South Asian Popular Music: A Critical Examination of Papon’s “Waise Hi Rehna, Waise Hi Behna” Through an Ecomusicological Lens

Crossref DOI link: https://doi.org/10.1007/978-981-97-3933-2_14

Published Online: 2024-10-26

Published Print: 2025

Update policy: https://doi.org/10.1007/springer_crossmark_policy

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