From sacred geometry to an old man: on the figure of the Father in Dante’s Divine Comedy and in Michelangelo’s Sistine Chapel
Crossref DOI link: https://doi.org/10.1007/s11059-022-00636-y
Published Online: 2022-04-10
Published Print: 2022-06
Update policy: https://doi.org/10.1007/springer_crossmark_policy
Pál, József https://orcid.org/0000-0001-7322-2518
Funding for this research was provided by:
University of Szeged
Text and Data Mining valid from 2022-04-10
Version of Record valid from 2022-04-10
Article History
Accepted: 15 March 2022
First Online: 10 April 2022