Crossmark

From Mask to Flesh and Back: A Semiotic Analysis of the Actor’s Face Between Theatre and Cinema

Crossref DOI link: https://doi.org/10.1007/s11245-022-09808-y

Published Online: 2022-06-06

Published Print: 2022-09

Update policy: https://doi.org/10.1007/springer_crossmark_policy

Authors

Beato, Massimo Roberto https://orcid.org/0000-0001-6690-1045
Funding

Funding for this research was provided by:

Alma Mater Studiorum - Università di Bologna
License Information

Text and Data Mining valid from 2022-06-06

Version of Record valid from 2022-06-06
More Information

Article History

Accepted: 9 May 2022

First Online: 6 June 2022