Griffero, Tonino
Hisayama, Yuho https://orcid.org/0009-0006-5564-1253
Funding for this research was provided by:
Università degli Studi di Roma Tor Vergata
Article History
Accepted: 1 August 2025
First Online: 29 October 2025
Change Date: 6 December 2025
Change Type: Update
Change Details: The original online version of this article was revised: (1) ‘Ac-Cent-Tu-Ate’ should have read ‘Ac-Cent-Tchu-Ate’; (2) The sentences ‘One could turn to a well-known Sino-Japanese ideogram that expresses precisely this idea of the liminal “between”: the Chinese character <i>jian</i> (閒). In contrast to the moon (月) contained in the lower part of the ideogram, the Japanese version of this character employs sun (日): in Japanese it reads <i>aida/ma</i> (間).’ should have read ‘One could turn to a well-known Sino-Japanese character that expresses the liminal “between”: 間 (Chinese <i>jiān</i>, Japanese <i>aida/ma</i>).’; (3) In the sentence beginning ‘Although we do not fully following Heidegger’s…’, the term ‘following’ should have read ‘follow’; (4) ‘<i>jian</i>’ should have read ‘<i>jiān</i>’; (5) ‘Eduard Hall’ should have read ‘Eduard T. Hall’; (6) ‘Relaying on the studies’ should have read ‘Relying on the studies’; (7) In reference ‘Hisayama (2025)’, ‘Sensibilia, 52, 2. forthcoming’ has been updated to ‘Studi di Estetica, 32, 111–125’; (8) In reference ‘Schmitz (2002)’, the publisher name has been updated from ‘Rostock’ to ‘Koch’.
Change Date: 10 December 2025
Change Type: Correction
Change Details: A Correction to this paper has been published:
Change Details: https://doi.org/10.1007/s11841-025-01110-9
Declarations
:
: The authors declare no competing interests.