Embodied Perception and Harmonious Unity: Aesthetic Experience in Merleau-Ponty’s Theory of Painting and Chinese Song Dynasty Landscapes
Crossref DOI link: https://doi.org/10.1007/s40647-016-0120-4
Published Online: 2016-02-10
Published Print: 2016-06
Update policy: https://doi.org/10.1007/springer_crossmark_policy
Chen, Jia
Text and Data Mining valid from 2016-02-10