“Decadent” Aesthetics, Irony and Parody: Eileen Chang and Qian Zhongshu’s Fiction in Occupied Shanghai (1937–1945)
Crossref DOI link: https://doi.org/10.1007/s40647-022-00361-x
Published Online: 2022-12-12
Update policy: https://doi.org/10.1007/springer_crossmark_policy
Xu, Kejun https://orcid.org/0000-0002-4556-2854
Text and Data Mining valid from 2022-12-12
Version of Record valid from 2022-12-12
Article History
Received: 16 July 2022
Accepted: 28 November 2022
First Online: 12 December 2022