Expanded Subjectivity as Cinema’s Self-Reflection: Affective Images in Nicolas Roeg’s Don’t Look Now
Crossref DOI link: https://doi.org/10.1007/s44428-025-00002-y
Published Online: 2025-08-19
Update policy: https://doi.org/10.1007/springer_crossmark_policy
Csönge, Tamás
Funding for this research was provided by:
University of Pécs
Text and Data Mining valid from 2025-08-19
Version of Record valid from 2025-08-19
Article History
Received: 9 March 2025
Accepted: 5 May 2025
First Online: 19 August 2025
Declarations
:
: The authors declare no conflict of interests.