Capitalist Co-optation, Romantic Resistance, and Bowie’s Allegorical Performance in Nicolas Roeg’s The Man Who Fell to Earth
Crossref DOI link: https://doi.org/10.1007/978-3-030-97622-4_5
Published Online: 2022-08-23
Published Print: 2022
Update policy: https://doi.org/10.1007/springer_crossmark_policy
Levine, William
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Chapter History
First Online: 23 August 2022