The Documentary Surreal: Film and Painting in Luciano Emmer’s La Leggenda di Sant’Orsola (1948) and Henri Storck’s Le Monde de Paul Delvaux (1946)
Crossref DOI link: https://doi.org/10.1007/s10699-016-9514-7
Published Online: 2016-12-23
Published Print: 2018-06
Update policy: https://doi.org/10.1007/springer_crossmark_policy
Jacobs, Steven
License valid from 2016-12-23