Estrangement, epochē, and performance: Bertolt Brecht’s Verfremdungseffekt and a phenomenology of spectatorship
Crossref DOI link: https://doi.org/10.1007/s11007-020-09507-8
Published Online: 2020-07-06
Published Print: 2020-12
Update policy: https://doi.org/10.1007/springer_crossmark_policy
Kelly, Molly http://orcid.org/0000-0002-3119-2370
Text and Data Mining valid from 2020-07-06
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Article History
First Online: 6 July 2020