Law, Ethics and Gender: China’s Quest for a Modern Selfhood as Reflected in its Adaptations of Ibsen’s A Doll’s House
Crossref DOI link: https://doi.org/10.1007/s40647-018-0219-x
Published Online: 2018-05-09
Published Print: 2018-06
Update policy: https://doi.org/10.1007/springer_crossmark_policy
Tam, Kwok-kan http://orcid.org/0000-0001-7482-1256
Text and Data Mining valid from 2018-05-09
Article History
Received: 12 February 2018
Accepted: 5 March 2018
First Online: 9 May 2018