Updates are available Correction dated 2022-09-14
Click to view Correction: https://doi.org/10.1038/s41467-022-31843-x
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Authors
Safra, Lou https://orcid.org/0000-0001-7618-6735
Chevallier, Coralie
Grèzes, Julie
Baumard, Nicolas https://orcid.org/0000-0002-1439-9150
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Funding
Funding for this research was provided by:
Agence Nationale de la Recherche (ANR-17-EURE-0017)
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Article History
Received: 19 May 2019
Accepted: 10 August 2020
First Online: 22 September 2020
Change Date: 30 September 2020
Change Type: Clarification
Change Details: Editor’s Note: Readers are alerted that this paper is subject to criticisms that are being considered by the editors. A further editorial response will follow the resolution of these issues.
Change Date: 16 September 2022
Change Type: Clarification
Change Details: Editor’s Note: We asked authors to respond to criticisms raised by readers and by the editors. We also contacted two of the original reviewers, and consulted informally with an additional expert in art history. In light of the reports from the original reviewers that we received on this response, we have worked with the authors on a correction of the original manuscript to address the inaccuracies in terminology, provide additional context to the study and highlight the limitations of the datasets used and of the assumptions made. We note that several of the points raised by readers after publication had been raised by reviewers and answered by the authors during the original peer-review process. We are publishing the original peer review file as an additional Supplementary file for the original manuscript, as well as the post publication exchange between authors, editors and reviewers as part of the Correction.
Change Date: 14 September 2022
Change Type: Correction
Change Details: A Correction to this paper has been published:
Change Details: https://doi.org/10.1038/s41467-022-31843-x
Competing interests
: The authors declare no competing interests.
