The Nature of Sensation Fiction: Botanical Textuality in Mary Elizabeth Braddon’s The Doctor’s Wife (1864) and Rhoda Broughton’s Red as a Rose Is She (1870)
Crossref DOI link: https://doi.org/10.1057/978-1-137-57337-7_9
Published Online: 2018-03-08
Published Print: 2018
Update policy: https://doi.org/10.1007/springer_crossmark_policy
Hallum, Kirby-Jane
License valid from 2018-01-01