The many versions of the painting of Tingqua’s studio: painting copying and originality in nineteenth-century canton
Crossref DOI link: https://doi.org/10.1057/s41599-020-00623-7
Published Online: 2020-10-23
Update policy: https://doi.org/10.1007/springer_crossmark_policy
Yaron, Elad http://orcid.org/0000-0001-8248-7171
Text and Data Mining valid from 2020-10-23
Version of Record valid from 2020-10-23
Article History
Received: 24 May 2020
Accepted: 30 September 2020
First Online: 23 October 2020
Competing interests
: The author declares no competing interests.