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Authors
Gómez-Cañón, Juan Sebastián https://orcid.org/0000-0002-2544-6311
Lennie, Thomas Magnus https://orcid.org/0000-0001-9821-6173
Eerola, Tuomas https://orcid.org/0000-0002-2896-929X
Aragón, Pablo https://orcid.org/0000-0002-6017-4577
Cano, Estefanía https://orcid.org/0000-0002-1056-5844
Herrera, Perfecto https://orcid.org/0000-0003-2799-7675
Gómez, Emilia https://orcid.org/0000-0003-4983-3989
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Funding
Funding for this research was provided by:
Consumer Programme (TROMPA project (H2020 770376))
Spanish Ministerio de Ciencia, Innovación y Universidades (MCIU) and the Agencia Estatal de Investigación (Musical AI (PID2019-111403GB-I00/AEI/10.13039/501100011033))
Arts and Humanities Research Council (Northern Bridge Doctoral Training Partnership scholarship (grant code: AH/L503927/1))
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Article History
Received: 17 June 2025
Accepted: 11 October 2025
First Online: 13 November 2025
Declarations
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: This study was reviewed and approved by the Ethics Committee of Universitat Pompeu Fabra. All participants provided informed consent prior to taking part in the study, in accordance with the ethical guidelines and regulations established by the committee.
: Not applicable. This study does not contain any individual person’s data in any form (including images, videos, or personal details).
: The authors declare no competing interests.
