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Authors
Bottura-Scardina, Silvia https://orcid.org/0000-0002-3566-5921
Brunetti, Antonio
Bottaini, Carlo https://orcid.org/0000-0003-2464-468X
Miguel, Catarina https://orcid.org/0000-0002-4722-8067
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Funding
Funding for this research was provided by:
Fundação da Ciência e da Tecnologia (DL 57/2016/CP1372/CT0012)
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Article History
Received: 6 November 2020
Accepted: 14 March 2021
First Online: 24 March 2021
Declarations
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: This study was funded by DL 57/2016/CP1372/CT0012 (Norma Transitória), UIDP/04449/2020 (HERCULES Laboratory) and BD-2017 (Grant for doctoral studies).
: Antonio Brunetti, Carlo Bottaini and Catarina Miguel certify that they have no affiliation or involvement in any organisation or entity with any financial interest, or non-financial interest in the subject matter or materials discussed in this manuscript. Silvia Bottura Scardina certifies the involvement in the University of Lisbon for the attribution of the Ph.D. grant as the financial support of the project “The Technique of Illumination in the sixteenth-century Book of Hours—a Multidisciplinary Study of the Materials, Technique and Artistic Influences in Hardouyns’ Incunabula”
: Data are available on request from the authors.
: CB planned and performed the p-XRF analysis; AB designed the MC model, the computational framework and carried out the MC simulations. SBS and CM interpreted the compositional data on the paints, and with AB analysed the data from the MC simulations. SBS wrote the manuscript with input from all authors. CB and CM conceived the study and SBS was in charge of overall direction.
