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White, everything white? Josef Frank’s Villa Beer (1930) in Vienna, and its materiality in the context of the discourse on ‘white cubes’

Crossref DOI link: https://doi.org/10.1186/s43238-020-00011-9

Published Online: 2020-09-04

Published Print: 2020-12

Update policy: https://doi.org/10.1007/springer_crossmark_policy

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