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From Kitsch and Carnivalesque to Cultural Appropriations: Liminal Representations of Post-Apartheid White Identity in Die Antwoord’s Music Videos

Crossref DOI link: https://doi.org/10.18778/2083-2931.14.23

Published Online: 2024-11-28

Update policy: https://doi.org/10.18778/crossmarkpolicywultextmatters

Authors

Dobrogoszcz, Tomasz http://orcid.org/0000-0002-4579-7143
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License valid from 2024-11-28
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CrossChecked: Yes

Peer Reviewed: Yes

Published: 2024-11-28

License: Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License